I am reading translations of Peruvian surrealist César Moro’s La tortuga ecuestre [The equestrian turtle], composed in Mexico in the late 1930s and first published in Lima in 1956, at the New Orleans Poetry Festival. Co-translator Esteban A. Quispe and I published early versions of some translations in Asymptote last year, and our volume The equestrian turtle and other poems is in preparation.